Because of his handsome demeanor, stature, and place among the ranch hands, Slim represents a threat to the smaller, insecure, bullish Curley. The boss's son roams the ranch looking for his wife and falsely accuses Slim of carrying on a relationship with her. In Chapter 3, this conflict boils over when Curley cannot find his wife and immediately assumes that she must be with Slim. Although Slim never gets into a physical altercation with Curley, he does use harsh words to put Curley in his place and forces Curley to lie about his hand injury in order to protect Lennie.
In Of Mice and Men he shows that most of the characters, like human beings in general, have good and bad, kind and cruel, generous and selfish sides to their natures. Candy is no exception, but he has to keep his darker side hidden. He is old and weak, virtually a charity case.
He is holding on to his precarious position in constant fear of being cast out with no hope of finding another job.
And the meanness and the plannings and the discontent and the ache for attention were all gone from her face. She was very pretty and simple, and her face was sweet and young.
Now her rouged cheeks and her reddened lips made her seem alive and sleeping very lightly. The curls, tiny little sausages, were spread on the hay behind her head, and her lips were parted.
And here is what Candy says to the dead girl when he is alone with her: George protected and cared for Lennie, but he also abused him verbally on many occasions. Lennie loved little animals but accidentally killed them.
The boss who interviewed George and Lennie was a hard-working man but also a bully. Poor lonely Crooks is an object of pity, but he takes sadistic pleasure in torturing Lennie by suggesting that George may have abandoned him.
Candy does not show the dark side to his nature until he curses the dead girl in the barn. Steinbeck must have invented this dialogue for the specific purpose of showing that Candy was like all the others with the possible exception of Slim in having a cruel streak. Candy is only thinking about himself and his own disappointment.
He cares nothing about the girl. Steinbeck was one of the most popular writers of his day, and he remains popular with discriminating readers because of his honest, realistic depiction of men and women of a certain social class.
His fiction evokes many strong feelings, but he is never maudlin or romantic. He was always a realist, and his characters are always realistic in their being human and thus being mixtures of good and bad, kind and cruel, generous and selfish, strong and weak, honest and dishonest.
Like most of us.How and when you choose to kill off a character can make or break a novel. It’s also incredibly difficult for authors, being a little like purposefully breaking one of your own toys.
When done right, a character’s death can break a reader’s heart, but if done wrong it’ll just exhaust their. George’s caring for Lennie has seemed to strengthen their bond.
It seems as if the major external conflict in the book is the tension between Lenny and Curley, the son of the boss of the ranch.
Ever since George and Lennie arrived at the ranch, Curley has felt threatened by Lennie. "There existed a void inside that void within his mind." "Joe will have kittens when he hears this!".
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The final novel of one of America’s most beloved writers—a tale of degeneration, corruption. arabasi hayvan gibi bise olsun ve 15litre yakiyor diyelim km de. benzini de tl desek asagi yukari 80 lira eder. tl yakmasi icin km yapmasi lazim.
ki hanim abla tl yetmez diyor. demekki km yol yapiyor ayda. cok buyuk ihtimalle korsan taksi kendisi. arkadaşi alalim lutfen. Love is the expansion of two natures in such fashion that each includes the other, each is enriched by the other.
Love is an echo in the feelings of a unity subsisting between two persons which is founded both on likeness and on complementary differences. ~ Felix Adler.