Ethical dilemma the rainmaker

Karen Kaplowitz Abuse of power is the common thread behind the sexual misconduct claims that have recently brought down powerful media, political and business leaders. Law firms, which have been beneficiaries of an avalanche of legal work from sexual misconduct, must now look within and confront the dilemma of powerful rainmakers who are abusive, whether the abuse is sexual in nature or otherwise.

Ethical dilemma the rainmaker

Characters we really love, in Ethical dilemma the rainmaker serious trouble A character we absolutely love, with a serious problem and some very high stakes: Obviously not all characters appeal to everyone, but that is never the goal: Here are some movie characters that have successfully appealed to large audiences and attracted repeated viewings and a cult following: Steven Spielberg I must emphasize that many of the elements described in this article, in addition to applying to the screenplay in general, also apply to characters in particular.

For example, when I write about texture, frequently these textural elements apply to characters. It means adding details to a character that are not strictly essential to the action, but that humanize the characters and make them believable.

This tends to give us the impression that we are observing real characters who have a life outside the film, as opposed to flat characters that only exist for the purposes of telling the story.

We need to see shades of humanity in such a way that we can relate to the characters as real people, whom we either identify with because we perceive them as very similar to us or whom we look up to because they have qualities that we wish we had. This is a big one! After the third instance there is usually a payoff that resolves the issue.

Steven Spielberg — The soldiers ask Captain Miller what his civilian occupation is. The first two times he avoids the question, and the third time he answers it English teacher. The third time Hanratty asks the question he finally obtains an answer: He then uses it a third time when he is typing a message from the bottom of the ocean in the third act.

Triple repeats work incredibly well. Why are triple repeats so satisfying for the audience? My hypothesis is that these triple repeats give the audience the illusion that they are truly getting to know the character intimately.

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See a Problem? The films are mirror images, one about the failure of liberal policies; the other about the failure of conservative policies. In this sense, The Dark Knight is truly the final film in this nihilistic trilogy, documenting the hopelessness of anything outside that usual left-right struggle.

The human brain craves knowledge and understanding, and anything that fools us into thinking that we have known someone for longer than we have is appealing at a very primal level.

That is my hypothesis, and it really does not matter whether it is correct or not: Steven Spielberg uses them a lot. This is why triple repeats make us warm to a character, and to the film as a whole.

More about this in the comments section at the end of the post. Thanks for letting us know! Dialogue symmetry This is related to triple repeats, but is distinct. In dialogue symmetry a character delivers a line or question, and that statement or question is then repeated by another character at some point subsequently.

Why does dialogue symmetry enchant us so much? I offer the same hypothesis as for the triple repeats: The human brain craves patterns, to the extent that it even detects patterns where there are none a well-known phenomenon among scientists. Plot symmetry In plot symmetry a situation early in the film is repeated later in the film, usually in a way that is highly significant to the story.

Characters we really love, in some serious trouble

Martin Campbell — At the beginning of the film, the protagonists find themselves hanging from a rope after a serious rock climbing accident. The device securing them to the wall is under considerable strain as a result of three people being attached to the rope.

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The drama in this scene is exquisite, because his father is right: It makes sense, but we can certainly see why he is reluctant to do so. He cuts the rope and saves himself and his sister.

Triple repeats

In the third act of the film, a very similar situation arises: The two characters at the very end of the rope are the antagonist and a very important secondary character, who decides to cut the rope, causing him and the antagonist to fall to their deaths.

This is a splendid example of plot symmetry, and the audience finds it exceedingly satisfying. Why is plot symmetry so satisfying for the audience? Same reason as for triple repeats and dialogue symmetry: Triple repeats, dialogue symmetry and plot symmetry are most definitely the pleasure-inducing drugs of screenplays, and as such they must be used with great care.

Use them in a miscalibrated way and your screenplay will die of an overdose.

Ethical dilemma the rainmaker

In the Romeo-and-Juliet model the two lovers meet for the first time in the story, and the story then proceeds from there. Examples of the Romeo-and-Juliet model: Both models can work, but in my opinion the estranged-couple model has an edge over the Romeo-and-Juliet model.

There is something irresistibly compelling about lovers who already have a history and who are experiencing difficulties in the relationship, provided the following two criteria are satisfied:The Rainmaker portrays Rudy Baylor, a young, prospective lawyer, trying to make it in the legal world.

Upon just entering this "new world," he is thrown into the middle of three cases and left to handle them practically on his own. One thing blogging and good copywriting share is a conversational style, and that means it’s fine to fracture the occasional rule of proper grammar in order to communicate effectively.

Both bloggers and copywriters routinely end sentences with prepositions, dangle a modifier in a purely technical.

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Ethical dilemma the rainmaker

Presenting stolen evidence in court. There was also the matter of evidence tampering where the defense removed a certain “Section U” in the employee handbook. Code of Professional Ethics 22(4). Rule /5(1). Rudy s ethical downfall in The Rainmaker chronicles how tempted, susceptible, and prone each of us is to cut ethical corners and break rules.

Depending on your point of view, either Rudy reveals himself to be corrupt under the pressure of practicing law, or the pressure of law practice corrupts him.

Abuse of power within law firms: The rainmaker dilemma